Tenlons Fort CD release party Wednesday night at the Cactus Cafe 8:30 PM

Posted on March 20, 2006 by John

Wednesday March 22, 2006 8:30 PM
TENLONS FORT record release party.

Celebrate the first edition of Haunted Maggot records
“The Golden Handshake”
at Cactus Cafe
2247 Guadalupe St, Austin, TX 78734

w/ special guests Brother Will and Friends

this is a free show!!!
please buy the new record and support the wonderful Cactus Cafe by
drinking and listening.

Tenlons Fort presents “The Golden Handshake”.
All songs written and produced by Jack Gibson. This debut record was
recorded July 2005 at Rockhouse Studios in Liberty Hill, Texas.
Engineered and Recorded by John Thomasson whom also played Upright
Bass, Electric Bass, and Cello Bass. Assistant engineer Joseph Cordi
provided Piano, Accordian and Horns, and Paul Schlichting played the
Drums Banjo, and Percussion.

Tenlons Fort has toured and shared the stage with Dolorean, Damien
Jurado, Amy Annelle & The Places, Crooked Fingers, The New Mexican
Revolution, Ian Moore, Jeff Hanson & Holy Sons.

Previous Releases:”Last Days” soundtrack, a film by Gus Van Sant,
featuring the Tenlons Fort song “Believe” available on MK2 records
(France) “The Pain is Still Alive” underground CD-R (2004)

About John

John is an Nashville based touring/session bassist. He has played live and recorded with such artists as Little Big Town, Matt Nathanson, Brett Dennen, David Garza, Ingrid Michaelson, Patrice Pike, Juliana Hatfiled, Jack Ingram, Mike McClure, Adam Brand, Kate Earl, the Asylum Street Spankers, Blu Sanders and Craig Marshall. John’s musical journey started in Texas at the prestigious Booker T. Washington School for the Performing and Visual Arts in Dallas, and that was followed by the University of North Texas. John has also engineered/produced records by Tenlons Fort (symphonic folk/pop), Little Alice Spencer and Her Monkey Butlers (vintage jazz), LAZ D (hip hop) and Craig Marshall (guitar pop). He is currently touring with Little Big Town in support to their album Reason Why.
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